The works here are all derived from a single drawing of a shadow: the obsessive, repetitive methods apparent in much of Anya's work are being played out here by the production of pieces in steel or paper that originate from a single source and are all related to each other.  The paper works are a combination of the original drawn stencils used for the steel piece's production, printed photographs of the work that are cut and then inserted and a range of other papers. The steel pieces are hand-cut by the artist using a plasma cutter, then forged and finally professionally powder coated.