Beautiful sculpture made from a range of materials.
Sculpture made from re-purposed waste plastics. Steel sculpture in a range of finishes suitable for inside or outside the home.
Three dimensional painted paper sculptures to illuminate any interior.
In situ at Wildegoose Nursery in an exhibition organised by TwentyTwenty gallery. (Base optional 60cm h)
Powder coated steel 97cm H x 70cm W x 36 cm D.
Inspired by decorative baroque styling and the excesses of plastic waste. Made from repurposed waste plastic (bleach bottles), wood, acrylic.
(H) 48cm (W) 65cm (D) 13cm
Powder Coated Steel
In situ at Wildegoose Nursery in an exhibition organised by TwentyTwenty Gallery. Charred oak base.
Powder coated steel wall sculpture.
Acquired by Chippenham Museum in 2020 for their permanent collection of Modern and Contemporary Art.
Hand and laser cut paper and card. Painted in enamels. In oval glass bell jar.
Modular sculpture in powder coated steel.
Chrome plated steel. Group of sculptures available together or individually.
In situ on an old brick wall at Wildegoose Nursery in an exhibition organised by TwentyTwenty Gallery.
Delicate paper sculptures thoughtfully framed to preserve and enhance their beauty.
Painted hand and laser cut paper sculpture in a beautiful bespoke frame with non-reflective museum glass.
Hand cut paper sculpture in an especially customised frame.
Hand cut paper sculpture. The baroque form is inspired by beautiful wrought iron gates. (Sold)
Inspired by contrasting windows this is a large scale, intricate, hand cut piece. Built up from archival quality giclee prints of original artist photographs, layered and built into a relief sculpture.
Bespoke frame with non-reflective museum glass.
Hand cut paper sculpture in a bespoke frame. Inspired by elegant window tracery on a fine English Georgian house.
Deep framed, hand cut paper sculpture inspired by window tracery on a fine English Georgian House.
Framed, hand cut paper sculpture inspired by ornamental Georgian wrought-iron work. Mounted on a photographic giclee print of contemporary, functional cast iron work.
Hand cut paper sculpture, mounted on original photographic giclee print in a especially customised frame. This work was inspired by architectural features on a fine English Georgian house.
Developed from observations of window tracery from a fine English Georgian House this deep sculpture is mounted on an photographic archival quality giclee print.
Hand cut paper sculpture made from an accumulation of images of decorative stone work from homes and buildings in Kilburn, West London. Made during and after a residency at Kilburn Library.
Hand cut, framed paper sculpture made from images of great many decorative architectural details found on Victorian and Edwardian buildings in Muswell Hill, North London.
Analogue collage in bespoke frame.
Hand cut scorched letter from ex MP James Gray in response to an email asking him to ensure environmental protection after our exit from the EU.
Site responsive installations. Often made from paper collected from the site.
In progress, repurposed waste HDPE Plastic, exhibition twine, incidental architectural fittings.
Hand and laser cut painted paper wall installation made for the exhibition ‘Flourish’ The piece was inspired by decorative plaster ceilings in nearby Corsham Court that were designed by Capability Brown.
Site-responsive installation made at 44AD Gallery, Bath
Made from old love letters and vintage papers, paint, exhibition twine.
Dimensions variable.
Installation made for Flourish exhibition at Pound Arts, Corsham, Wiltshire. Recycled paper, exhibition twine.
This image shows ‘Tempus Fugit’ on the right hand side and ‘Frond, Folia and Folia’ on the left.
Installation made exclusively for Euroarts 2016 Open Event Exhibition.
Site responsive installation for Trinity Buoy Wharf, London. Made from paper collected from the site it includes many details found in the architecture on site.
Paper installation made for Fringe Arts Bath 2016 for Utopia/Dystopia Exhibition at the Walcot Chapel.
Temporary Installation , Muswell Hill, London.
Paper sculpture (image available as a giclee print)
Temporary installation, Wilton Court, Muswell Hill, London.
Recycled paper sculpture (Image available as a giclee print)
Temporary paper installation in Kilburn - part of my Kilburn library residency, looking at the mix of Edwardian and Victorian architecture and 1970’s brutalist housing estates there.
Temporary sculptural intervention in Kilburn as part fo my residency at Kilburn Library. Looking at contrasts in the built environment of the area, a contrast of Edwardian and Victorian residencies with 1970’s housing estates. This paper pillar was temporarily sited on a stairwell of a shortly to be demolished block of flats.
Photo Reliefs
Individually hand worked into low relief by the careful application of hand cut layers, these are archival quality giclee prints of original photographs taken by the artist of temporary interventions that are often mostly thinking about place.
Sculptures made from paper are installed in uniquely contrasting sites with the purpose of highlighting how these contrasts help to build up the unique sense of place we experience when recalling somewhere. When the photos are printed the artist then gets further prints made and hand cuts out elements of these additional prints and applies them to the surface to create a 3 dimensional image. The result is curiously hyper real as the eye works out what is in three dimensions and what is in two.
150 x 150 x 4cm
Bespoke commission for Virgin Hotels NYC
Photo-relief, made from giclee prints and hand and laser cut paper. Imagery found around NYC near the hotels location on Broadway. This piece is many layered and includes many subtle relief details including flaking paint, and guilded graffiti tags as well as the more sculpted leaf motif (also found as an architectural feature on a nearby building.
Relief sculpture made from hand cut layers added to photographic giclee print on archival quality paper.
Relief sculpture made from hand cut layers added to photographic giclee print on archival quality paper.
Relief sculpture made from hand cut layers added to photographic giclee print on archival quality paper and hand applied gilt metal.
64cm h x 75 cm w x 2.5cm d
Relief sculpture made from hand cut layers added to photographic giclee print on archival quality paper.
Relief sculpture made from hand cut layers added to photographic giclee print on archival quality paper.
Relief sculpture made from hand cut layers added to photographic giclee print on archival quality paper.
Relief sculpture made from hand cut layers added to photographic giclee print on archival quality paper.
After using recycled plastics for a number of workshops with schools and community groups Anya decided to explore the potential of the material during a summer residency at Bath Artist Studios. This started an interest and determination to extend the use of this material in a fine art context - thus creating her Hopeful Monsters. Images here show finished works, works in progress and exploratory maquettes, the curvilinear forms loosely reference the Baroque style, an excess in style suiting the excess we have of the material used (waste plastics).
‘The Four’ references, most obviously the 4 elements, earth, air, fire and water. These are also closely linked to climate events that we hear about with increasing regularity - flooding, hurricanes, wild fires and earthquakes. Their wheels make them look comical and cartoonish and I’d like to think they are harbingers of the good things we can do to combat these events.
Each sculpture is approx 1m high.
Hand cut repurposed and waste plastic. 2023
Repurposed waste plastic
h: 93 (cm) w: 57 (cm) d: 41 (cm)
Exhibited in TheRoyal West of England Academy’s 170th Annual Open Exhibition
Responding to the climate crisis, made from repurposed waste plastics.
(H) 90cm (W) 34cm (D) 31cm
Exhibited in The Royal West of England Academy 169 Annual Open Exhibition.
95 x 74 x 31 cm
Repurposed waste plastic.
90 x 40 x 20cm
Repurposed waste plastic
1 of ‘The Four’
2 of The Four
From the Hopeful Monsters series
2 of The Four
From the Hopeful Monsters series.
Installation (wall hung)
Hand-cut repurposed waste plastic, Milliput.
Floor based sculpture made from hand-cut waste and repurposed plastic. Dimensions variable - here :115 cm w x 64cm d x 20 cm h
Discarded furniture, hand cut repurposed waste plastic, paint.
Pre-used discarded furniture, repurposed waste plastic, nail varnish, paint.
Installation shot from Future Fossils exhibition at Pound Arts, May 2024.
Pre-used discarded furniture, hand cut repurposed waste plastic, paint, nail varnish.
Installation shot from Future Fossils exhibition at Pound Arts May 2024.
Recycled plastic sculpture.
Recycled plastic sculpture
Recycled plastic sculpture - bleach bottle.
Recycled plastic bleach bottle.
Recycled plastic bleach bottle
Recycled plastic children’s toys and cleaning product tubs/bottles.
Recycled plastic children’s toy and used cable tie ends.
Recycled plastic children’s toys and used cable tie ends.
A sub series of Hopeful Monsters and the latest of my smaller sculptures.
Made from repurposed waste plastic (bleach bottles), acrylic, wood. Treated with a UV protective matt varnish.
(H) 48cm (W) 65cm (D)13cm
Back view.
30 x 44 x 20cm. Hand cut repurposed waste plastic, wood, glass, paint.
Repurposed waste HDPE plastic, wood, glass, acrylic. 38 x 21 x 21 cm
Repurposed waste HDPE plastic, glass, wood, acrylic.
38 x 21 x 21 cm
Repurposed waste HDPE plastic, wood, glass.
38 x 21 x 21 cm
Acquired by Chippenham Museum for their permanent collection in 2022. Acquisition made possible by the Green Grant scheme.
Repurposed waste HDPE plastic, glass, acrylic, wood.
38 x 21 x 21 cm
Acquired by Chippenham Museum for their permanent collection in 2022. Acquisition made possible by the Green Grant scheme.
Repurposed waste HDPE plastic, wood, glass.
35 x 25 x 15 cm
Repurposed waste HDPE plastic, glass, wood
35 x 25 x 15 cm.
Installed at Future Fossils exhibition at Pound Arts, May 2024.
Hand - cut repurposed waste plastic, glass, wood, paint.
Alternative view (back)
28 x 30 x 18 cm Hand cut waste and repurposed plastic, vintage bell jar, paint.
28 x 30x 18 cm Hand cut waste and repurposed plastic, vintage bell jar, paint.
Hand cut waste plastic, wood, glass, paint. Installation view from Future Fossils exhibition
Hand cut waste plastic, wood, glass, paint.
Hand made cabinet made in 1990 from repurposed furniture and repurposed acrylic sheet. Future Fossils within made from repurposed waste plastic, milliput, brass pins.
Hand cut and repurposed waste plastic, glass, wood, paint
Hand cut repurposed waste plastic, wood, glass, miliput, paint.
33 x 15 x 15cm
33 x 15 x 15 cm
Hand cut and repurposed waste plastic, wood, glass, paint
These cloudscapes evolved after working on a large commission for Saga Cruises (see image in gallery). Made from fliers from a range of political parties amongst other papers they are a meditation on stormy times in which we are living
Recycled/repurposed and new paper.
Framed relief sculpture made form recycled/repurposed and new papers.
New, recycled and vintage papers. Detail of a triptych, one of 6 made for Saga Cruises.
Installed at artsdepot North Finchley this was a large scale mapping project using contemporary and historic local maps of the borough of Barnet. It was made from paper sourced form the area which was donated by the local community.
Studio shot of the central (contemporary map) showing the borough of Barnet.
Installed in Muswell Hill Library in 2012 this was an Arts Council England funded project that further developed my creative mapping projects and was the start of my detailed observations of architectural details and features. Base on historic and contemporary maps of Muswell Hill and the N10 area I held community workshops and made the work entirely form recycled locally source paper.
Within the maps there were sited a number of intricate paper cuts of individual buildings or architectural features.
Within the maps there were sited a number of intricate paper cuts of individual buildings, observations place or architectural features.
Within the maps there were sited a number of intricate paper cuts of individual buildings or architectural features.
A 7 x 5 m map made from donated waste paper generated by the venue and local schools into which architectural details observed en route were included. Made as a focal piece for The View From Here solo exhibition at artsdeptot in 2015.
Hand cut recycled paper put into the map showing decorative plaster work from a gable end on a house in North Finchley.
Hand cut recycled paper put into the map showing a decorative wooden screen on house in North Finchley.
The View From Here - exhibition view
During the exhibition visitors we're invited to ‘put themselves on the map’ they did this by illustrating pre-cut figures, trees, vehicles or by drawing building they knew of and siting them onto the map. Eventually the whole map was filled.
